Visualizzazione post con etichetta Wadjda. Mostra tutti i post
Visualizzazione post con etichetta Wadjda. Mostra tutti i post

martedì 8 marzo 2016

Little (?) Women

It is sad to realize we still need something called Women’s Day in the year 2016. 
But this is the reality of things: the macho mentality is always around the corner, everywhere, with no exception, not to mention places (and there are many of them in this world) where women’s freedom simply doesn’t exist. 
It sucks. It greatly sucks. 
The other day I was reading an article about the female presence in cinema and television in the United States and in France and it was extremely depressing. The percentage of female film-makers, producers and screen writers is ridiculous, and when it comes to fields like cinematography or editing, simply forget about them! 
Ida Lupino (courtesy of BFI)
Maggie Gyllenhaal, 38 years old, one of the best actresses in Hollywood, told the press she has recently been refused for a part in a movie since she was considered too old to be the love interest of her male counterpart, 50 years old!!! 
You gotta be kidding me, guys. 
Some actresses, desperate about the too stupid and secondary roles they are constantly offered, have started to create their own production companies. 
It is of few days ago the news that Juliette Binoche and Jessica Chastain are creating one of those together. 
And we don’t even mention the difference in salaries, of course! 
J. Chastain&J.Binoche (courtesy of Madame Figaro)
If this is what happens in the so-called advanced world, of course the situation is much worse and often desperate in other parts of the world. 
Last November, the Moroccan actress Loubna Abidar, who played the role of a prostitute in a film called Much Loved (by Nabil Ayouch), has been attacked outside a club in Casablanca by a group of men only because she played that part. She posted a video talking about this episode and about what happened to her when she went to the hospital and then to see the police: instead of being helped, she was basically told she deserved what she had.
She is now living in France to avoid death threats:
There are many movies talking about women’s conditions in difficult places: recent stories set in Iran, various parts of Africa, Middle East countries and even less suspicious countries. 
I was personally shocked by the vision of a recent movie set in Israel, where a woman tries to get a divorce (yes, a simple divorce): in that country it could be granted just by rabbis and, useless to say, they are men who tend to give right to other men and not to listen to what women have to say (if you have the guts to see it, the movie is Gett - The Trial of Viviane Amsalem, by Ronit and Shlomi Elkabetz, and Zazie already wrote a post about it):
Viviane Amsalem (magnificent Ronit Elkabetz)
Possibly the worst country on this planet where a woman could live is Saudi Arabia, where apparently cinema don’t exist (my idea of hell on earth) and where, in any case, women are not allowed to enter into theatres. In 2012, the female film-maker Haifaa Al-Mansour wrote and directed a wonderful movie called Wadjda (La bicicletta verde): it was the first feature length made by a female Saudi director (in 2012!!!) and the first feature film entirely shot in Saudi Arabia (I told you it was hell!). Because of the ridiculous restrictions placed on women in that country, the film-maker could not interact with her mostly male crew, and so she was obliged to direct the streets scenes from a van near the shooting locations, watching in a monitor and giving directing instructions via walkie-talkie. Unbelievable! 
But, hey, she made it (the shooting of The Revenant looks like a stroll in the countryside compared to this, don’t you think?). 
When I saw Suffragette (by Sarah Gavron) few months ago, I was so impressed by what our sisters from the past had to endure to give us the right to vote, but I was even more disconcerted when I read that the so-considered very civilized Switzerland gave to women the right to vote in… 1971. WTF!!!
The other depressing aspect, it is the way female characters are often portrayed in movies made by men. 
For one Jane Campion, there are hundreds David Fincher. 
It is still so, so, so rare to see modern, complex, interesting, independent women portrayed in movies. 
Things are changing, it is true, but fuck they are changing too slowly for my taste. 
This is why I salute and I often writes about Stella Gibson, the main character of the TV series The Fall (series created by a men, Allan Cubitt, you see… there’s hope!) who is a beautiful, sexy, feminine, smart, badass, bi-sexual, single woman who doesn’t need any help from men but who, at the same time, doesn’t hide her fears and, best thing of all, doesn’t need to justify herself for being what she is. 
I hope there will be more and more Stella Gibson on screen in the future.
Stella Gibson (Gillian Anderson)
I sometimes think about the scene in Zero Dark Thirty (by Kathryn Bigelow) when Maya is in a room full of men and they are saying to their boss where Bin Laden is hiding. 
And the moment she starts talking, the boss asks: who are you? 
And Maya answers back to him: I am the motherfucker that found this place, sir.
In case you still didn't get it...

venerdì 28 febbraio 2014

Zazie d'Or 2013


Oscars? Golden Globes? Golden Lions? Golden Palms? Golden Bears? BAFTAs? Césars?
Totally has been! Totally out of fashion! The most prestigious cinema award worldwide is – no doubt about it - the one and only ZAZIE D’OR!
Last year, Zazie has been 84 times to the movies and this, dear readers, is the BEST OF IT ALL:


The Zazie d’Or for BEST PICTURE 2013 goes to
LA VIE D'ADELE by Abdellatif Kechiche (France)
They are two girls in France but they could have been a boy and a girl in Japan or two boys in Alaska. Kechiche proves (thanks to two actresses en état de grace) that the first love and the first pain of love are universal and unforgettable. M A G N I F I Q U E !

The SPECIAL ZAZIE D’OR 2013 goes to
INSIDE LLEWYN DAVIS by the Coen Brothers (US)
A folk singer, a cat named Ulysesse, a bunch of beautiful songs, a cold winter in the NY of the 60s. And the genius of the Coen Brothers to turn a disastrous series of events into the most pleasant cinema moment of the year. W O N D E R F U L !

The ZAZIE COUP DE COEUR 2013 goes to 
12 YEARS A SLAVE by Steve McQueen  (US)
Before seing this movie I had no idea what being a slave meant. After having seen it, I do.

Very much so.
Zazie would like to give a special prize to the entire cast of this movie for their excellent performances: CHIWETEL EJIOFOR, LUPITA NYONG'O, MICHAEL FASSBENDER, SARAH PAULSON, BENEDICT CUMBERBATCH, PAUL DANO, PAUL GIAMATTI, they are all amazing. BRAD PITT, I am afraid, IS NOT included (but we thank him, anyway, because without his presence the money to produce the film would have never been found).
The Zazie d'Or for BEST DIRECTOR 2013 goes to
NICOLAS WINDING REFN for ONLY GOD FORGIVES (Thailand)
This is a prize that will surprise many of you, I know. Nobody liked this movie except me and few other people. Well, j'assume! I have always loved his cinema, and I adore the way he films. I am completely under his spell. I can stay in front of the screen for hours if Winding Refn is behind the camera.

 
The Zazie d’Or for BEST ACTOR 2013 goes to
BRUCE DERN for NEBRASKA by Alexander Payne (US)

You don't need to have made the Actor's Studio to give the performance of the year. You don't even need to be young and beautiful, to loose 30 kgs, to have a handicap or a mortal illness. Sometimes you just need to be Bruce Dern in a black & white movie. This one.
The Zazie d’Or for BEST ACTRESS 2013 goes to
CATE BLANCHETT for BLUE JASMINE by Woody Allen (US)
Yes, I know, she has already won all the prizes in this world. I’ve tried to find somebody else, I thought a lot about the girls of La vie d’Adèle, but then I had to admit it: the most unforgettable one, is her Jasmine. There's nothing I could do about it!

The Zazie d'Or for BEST SCREENPLAY 2013 goes to
RICHARD LINKLATER+JULIE DELPY+ETHAN HAWKE for BEFORE MIDNIGHT by Richard Linklater (US)
These three people have done something unique in cinema history: they have created a couple 20 years ago and they told us their story ever since. We have grown up with Jesse and Céline: we have shared with them the joys of youth, the doubts of maturity and now the difficulties of the middle age. The dialogues of these movies should be studied in every cinema school, because they're simply perfect. 
I hope we will meet them again!
 
The Zazie d'Or for BEST CINEMATOGRAPHY 2013 goes to
BRUNO DELBONNEL for INSIDE LLEWYN DAVIS by the Coen Brothers (US)
Delbonnel, the man behind the magic light of movies like Faust and Le Fabuleux déstin d'Amélie Poulain, works for the first time with the Coen brothers and the result is more than special: the vintage patina of the '60s combined with the cold light of a NY winter is absolutely splendid!
The Zazie d'Or for BEST DOCUMENTARY 2013 goes to

STORIES WE TELL by Sarah Polley (Canada)

I adore Sarah Polley's cinema. Here she relates an incredible personal story: the discovery of her father not being her real father and her search for the natural one. In a strange mix of fictional super 8 films and interviews with the "real" people, she drags us into a very touching family history plenty of emotions, funny moments and universal questions about ourselves.


The Zazie d'Or for the BEST ORIGINAL SOUNDTRACK 2013 goes to
INSIDE LLEWYN DAVIS by the Coen Brothers (US)
What can I say? I'm listening to this record in a loop since the day I watched the movie for the first time (back in October 2013...)
The LITTLE ZAZIE D’OR (Best First Feature Film Prize) 2013 goes to 
HAIFAA AL-MANSOUR for WADJDA (Saudi Arabia) 
I have the greatest respect for a woman who is trying to make movies in a country where cinema doesn't exist and where women barely exist. She has filmed all the street scenes hidden inside the back of a truck, proving that, sometimes, revolutions can start with a little girl and her bike. W la Liberté!
The JEREMY IRONS PRIZE (Man of my Life Award) 2013 goes to
Irish actor GABRIEL BYRNE
In Le Temps de l’Aventure by Jérôme Bonnell, Byrne proves to be the sexiest 60something on planet earth. In the movie, he takes a commuter train to go from Calais to Paris because he is afraid of the tunnel under the English Channel. If you assure me that I’m going to meet somebody like him on a train like that, I swear to avoid the Eurostar for the rest of my life! 
Gabriel, here I come...

And for you, dear readers, what has been the best of 2013?

martedì 7 gennaio 2014

Top 10 of 2013

It's raining TOP 10 Lists, dear readers, and Zazie (who's been to the movies 84 times last year) is looking forward to letting you know which are the films she simply ADORED in 2013...

1. LA VIE D'ADELE - Chapitres 1 & 2 by Abdellatif Kechiche (France)
2. INSIDE LLEWYN DAVIS by the Coen Brothers (US)
3. 12 YEARS A SLAVE by Steve McQueen (US)
4. FRANCES HA by Noah Baumbach (US)
5. LE TEMPS DE L'AVENTURE by Jérôme Bonnell (France) 
6. BEFORE MIDNIGHT by Richard Linklater (US)
7. L'INCONNU DU LAC by Alain Guiraudie (France)
8. WADJDA by Haifaa Al-Mansour (Saudi-Arabia)
9. NEBRASKA by Alexander Payne (US)
10. BLUE JASMINE by Woody Allen (US)

While these are the movies Zazie really COULD NOT STAND in 2013:
1. THE GREAT GATSBY by Baz Luhrmann (US)
2. L'ECUME DES JOURS by Michel Gondry (France)
3. TRANCE by Danny Boyle (UK)

And you, dear readers, which are the movies you've been crazy about in 2013?
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