Visualizzazione post con etichetta Oslo August 31st. Mostra tutti i post
Visualizzazione post con etichetta Oslo August 31st. Mostra tutti i post

martedì 23 febbraio 2016

Ce sentiment de l'été (This summer feeling)

People usually think that movies dealing with heavy subjects are terribly depressing movies. 
But this is not true. 
As far as I am concerned, the only depressing movies are the bad ones.
Movies poorly written, made without love, without care, and that consider the audience a bunch of brainless people. That’s what really depresses me.
If a film-maker decides to talk about the heaviest subject of all, death, I am fine with it.
Especially if the result is so good that in the end not only you don’t feel sad, but you actually feel happy and full of hope: this is the case with the wonderful Ce Sentiment de l’été (This Summer Feeling) by Mikhaël Hers.

It is a beautiful summer day in Berlin: Sasha, 30 years old, is going back home after a working day, but in the middle of a park, she suddenly collapses and she dies in hospital few hours later. Her parents and her younger sister Zoé, who live in France, immediately arrive in Berlin. Their grief is the same of Lawrence, the guy Sasha was sharing her life with. 
In the space of three different summers and in different cities (Berlin, Paris, Annecy and New York), the film follows the attempts of Lawrence and Zoé to deal with this loss, to find a way of surviving and to go back to happiness and life.
Lawrence (Anders Danielsen Lie)
Zoé (Judith Chemla)
Summer is a state of mind, not just a season.
What a simple and compelling idea to use it as the background as well as (almost) a character to narrate this story. Exploring grief could be very tricky: it is difficult to show despair in a natural, profound and realistic way on screen, but Mikhaël Hers has managed to magically do it.
It is a question of light, the light of the summer sun in the apartments, in the streets, reflected on buildings, at first in deep contrast with the sadness of death, and then, bit by bit, illuminating the slow process towards the healing from the pain. But it is also a lightness of tone, there is never a heavy moment in this movie: even when people are desperate, or are asking themselves how to keep going, there is always a hint of hope, a tenacious attachment to life.
Lawrence and Zoé are portrayed in common situations: at work, at a party, at home, in the streets. Dialogues are simple, almost essential, and the connection to these characters is immediate and complete.

A good cast is what you need to express this high level of emotional subtlety and complexity and the film has it: the rohmerienne Marie Rivière as the mother (always a pleasure to see her!), Féodor Atkine as the father, Judith Chemla, with her physique à la Charlotte Gainsbourg, as Zoé and the intense Norwegian actor (as well as doctor!) Anders Danielsen Lie, known to the French audience for his roles in Joachim Trier movies (Reprise and Oslo, 31st August), as Lawrence
They’re all great and so convincing!
So, make me a favour, dear readers: if you have to go to the movies in the next days, don't go to see a romantic comedy or a thriller, go to see this little gem about death.
Sometimes, you can find happiness in places you really don't expect it. 

lunedì 28 dicembre 2015

Louder than bombs

Something strange happened to me with this post.
After a couple of months since the publication of my critic about Louder than bombs, I have received a message from the platform hosting my blog to advise me that I had violated some kind of copyright.
Never happened to me before.
I guessed it was about some pictures I have published.
The post was put in the drafts section and they asked me to change the violation.
The problem was that I didn’t know which was the incriminated picture/s.
I got back to the draft to understand better and I don’t know what I did but all of a sudden my post wasn’t there anymore.
All it was left was the title.
I felt so depressed, because now I don’t have neither the strength nor the time to write it again.
And it won’t be the same post, anyway.
I am particularly sorry, because there was a nice story attached to it.
After a few minutes that I put it on line, last December, I received a message on my twitter account from Devin Druid, the actor who plays the youngest son of Gabriel Byrne and Isabelle Huppert in the movie.
Even if my post was written in Italian, he understood I wrote something super good about him, which was the case (hashtags santi subito!).
His message was a simple emoticon, a shy flushed face, and it was so cute! 

I’m so sorry my words about him are gone forever…
… but well, I guess there’s nothing I could do about the old post now.
Probably I just need to be more careful about the pictures I publish (so difficult to understand who’s the photographer behind the pics you find on internet, by the way… especially the ones taken from the movies).
Meanwhile, all I can do is to strongly suggest you to watch Louder than bombs, a really great movie!


lunedì 7 gennaio 2013

Top 10 of 2012

At the moment, everywhere, in magazines and on the net, it's raining TOP 10 movies of 2012.
I'm always curious to see which are the favourite films of other people, and I'm intrigued by the different points of view. Usually, I express my preferences in February, at the time of my award, the Zazie d'Or, but so many friends asked me about this that I decided to publish my Top 10 List now. 
In fact, I think it is a good idea, first because it is quite difficult to reward all the movies I have loved in one year, and also because I don't always have time to write about certains movies I adored. 
So, this could make some justice to them.
Here they are, Zazie's favourite 10 movies of 2012:

1. DE ROUILLE ET D'OS by Jacques Audiard (France)
2. LAURENCE ANYWAYS by Xavier Dolan (Québéc)
3. TABU by Miguel Gomes (Portugal)
4. CESARE DEVE MORIRE by Paolo & Vittorio Taviani (Italy)
5. OSLO, August 31st by Joachim Trier (Norway)
6. THE DEEP BLUE SEA by Terence Davies (UK)
7. LE SOMMEIL D'OR by Davy Chou (France/Cambodia)
8. TYRANNOSAUR by Paddy Considine (UK)
9. JAGTEN by Thomas Vinterberg (Danemark)
10. BULLHEAD by Michaël R. Roskam (Belgium)
And since I'm making lists, here's a short one of the movies that really really got on my nerves this past year:

1. THE GIRL WITH THE DRAGON TATTOO by David Fincher (USA)
2. AMOUR by Michael Haneke (France/Austria)
3. HOLY MOTORS by Leos Carax (France)
Sorry, guys, I didn't get your movies. I didn't get them AT ALL!!!

And you, dear readers, which are your favourite movies of last year?

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